Sonnet 18. The fiercer Love assails us, and at length,the more he’d have us renew our strength,and so refreshed, re-enter the lists again. Oh, sad laments. Would she call Mr. Albert “that person” “あ の ひ と”, somewhere in the novel? Sonnets of Louise Labé: Labé, Louise, Cook, Alta Lind: Amazon.nl Selecteer uw cookievoorkeuren We gebruiken cookies en vergelijkbare tools om uw winkelervaring te verbeteren, onze services aan te bieden, te begrijpen hoe klanten onze services gebruiken zodat we verbeteringen kunnen aanbrengen, en om advertenties weer te geven. Sonnet 14. 294). Translator’s Introduction. Los sonetos que la autora eligió para ser mercionados, son sin duda muy hermosos y expresan el amor y el deseo amoroso que llegará a sentir Candy por Terry. El soneto es el lamento de una mujer que ama. 4 (1990): 523–41. Louise Labe was born in the early 1520s to a prosperous rope-maker, a member of the Lyon bourgeoisie. Puis, on va traiter le contenue de ce poeme amoureuse et ses thèmes abordées. Passion was represented by fire. Es mi convicción profunda que Terry es « esa persona ». Siento la intención de este hermoso pasaje de la novela. Oh, crueldad inhumana, oh, aspereza, compasivo mirar de luz celeste: del corazón transido pasión fuerte, ¿creéis que aún podrán crecer mis penas? The choice of Louise Labé in her novel must have been important to Nagita. Pero ahora con este análisis he quedado fascinada. Love sonnets and elegies / Louise Labé ; translated by Richard Sieburth ; preface by Karin Lessing. See https://www.poetryintranslation.com/PITBR/French/LabeSonnets.php. Louise Labé: Poems essays are academic essays for citation. Before I got this book, I had never heard of Louise Labé, a female French poet whose works of poetry are complete with twenty-four sonnets and three elegies, published in 1555. Sonnet 5. Sonnet III and IV relate the pains that love led to, and notwithstanding this, the desire and the moment when the lover also falls in love were mentioned. resource to ask questions, find answers, and discuss the novel. This reflection is subjective and reflects only my personal vision as a fan of the novel. I would like to think that Louise Labe’s sonnets were among Candy and Terry’s favorite books. The Sonnets of Louise Labé. Lesko Baker, Deborah. The other sonnet mentioned was the following one: “But this is not for what favors us, he who despises gods and men . Did Nagita read all of Labe’s sonnets and was inspired by them for the story of Candy and Terry in CCFS? Louise Labé. Cuando Candy está recitando el soneto III, y ve desde su balcón a Terry dirigiéndose hacia el bosque, ella lo llama «esa persona» あのひと , (CCFS Vol I, pag. Quisiera creer que Nagita lo ha hecho de forma premeditada. After you claim a section you’ll have 24 hours to send in a draft. Due to its composition, the form of expressions of the sonnet is restrictive, which makes the idea blossom more intensely. Thank you for your support. Leyendo la novela me encontré con algo hermoso. La pasión es representada por el fuego. Summary. I feel the purpose of this lovely passage in the novel. Esta Louise Labé realmente escribía cosas complicadas…». Never because he favors those who long,but merely to seem stronger among the strong,he being one who scorns both gods and men. These notes were contributed by members of the GradeSaver community. In this sonnet, Labé told of her own burning love for a man. Les systèmes de rimes en sont divers même si … The Labé sonnets that Candy had in her pockets were declarations of a passionate love by the narrator in the sonnets. Louise Labe" translated by Jeanne Prinne. Maravilloso análisis querida Scottie. In the first sonnets, the comeliness of her lover is described. Me llevé la sorpresa que los sonetos de Labé, relatan los estados del amor femenino. Quizás ahora, ella entiende después de su larga travesía para reunirse con «esa persona», las palabras de aquella poeta que tuvo que memorizar, muchos años atrás. — CCFS Vol I. −Oh, tristes lamentos, Oh, obstinados deseos…». It is my deepest conviction that Terry is « that person/Anohito ». Pero no solo menciona el nombre de la poetisa, Candy recita fragmentos de dos de los sonetos: «Acompañada por ese pensamiento, había dedicado toda la noche a estudiar los sonetos. It was in that moment that Terry intervened to help her, and said one of his more famous lines in the story: “Well, why are you looking at me that way, Miss Freckles? For Labé, love was sacred and divine; elevated to its maximum point. Sonnet 24. Later, Candy went to the Fake Pony´s Hill and came upon Terry who was smoking. Espero leer muchos más de tus análisis!!! How much has Poem Analysis donated to charity? These poems belong to a larger body of XXIV [24) sonnets, which tell a love story and the immutable desire of a woman for her lover. .”. Esas serían unas buenas preguntas para la autora. this section. The fact that she called him “that person” is very significant to the story. Not affiliated with Harvard College. As a poet, Louise Labe confines her writing to her personal life for the most part. In the novel, Candy received the sonnets from Sister Kreis and she put them in her pocket. In Candy’s home study, French literature books were mentioned. Reading the novel, I found something beautiful. This Louise Labé really wrote complicated things . Every single person that visits PoemAnalysis.com has helped contribute, so thank you for your support. Desde que el cruel Amor con su pasión Primero envenenó mi pecho, Ardo siempre con su furor divino, Que ni un sólo día mi corazón abandonó. Louise Labé, also identified as La Belle Cordière, was a female French poet of the Renaissance, born in Lyon, the daughter of a rich ropemaker, Pierre Charly, and his second wife, Etiennette Roybet. The phrase Candy recited in this part was from Sonnet IV. Oh, stubborn wishes . Sonnet 11. I wonder if this poem was the author’s anticipation of the painful situation Candy and Terry would live when the love between them was suddenly interrupted, first by Elisa’s trap, and later by Susanna’s accident. Indeed, Louise Labé explained that the narrator could not fall in love again because of her deception [i.e., she was deceived by her own illusions about love]. Indeed, Louise Labé explained that the narrator could not fall in love again because of her deception [i.e., she was deceived by her own illusions about love]. Clearly, the poet does not seriously believe the young man to be incapable of affection, for then there would be no point in the poet's trying to maintain a relationship with him. Oh yes, there was! The Question and Answer section for Louise Labé: Poems is a great To begin with, Labé sets the scene, describing “Diane estant en l’espresseur d’un bois/ apres avoir mainte beste assenee.” She gives them full credit as part of the human experience, with a most profound hold on a person. Her sonnets include admiration, physical and spiritual desire. elle écarte les blasons ; l’idéal est moins important que le réal, comme la différence entre un blason et le chevalier qui est représenté par le blason. ———. En el estudio de su casa, Candy dice tener literatura francesa, ¿hay alguna mención de literatura francesa en la novela?, ¡Oh sí que la hay! Sonnet 13. Paintings by André Minaux (1923-86) – I came across his work by chance for the first time this week and the sharp, stylized imagery, often of women alone in interiors, somehow resonated with the sonnets; also an exquisite concert on the radio of short pieces by J S Bach and Jörg Widmann made me think about how mutually enhancing old and new(er) works can be. Ningún trabajo, de los muchos que me dio,Ninguna amenaza y próxima ruina,Ninguna idea de muerte que todo lo termina,Nada a mi corazón ardiente asombró. The two sonnets are associated with Terry once again in the novel, and I’ll explain why. le problème est aussi la solution = l’amour (elle n’est pas capable de rester en colère son amant, en dépit de son avoir fait elle tomber en amour avec lui et … Sonnet 23. Louise Charlin Perrin Labé, (c. 1524 – 25 April 1566), also identified as La Belle Cordière (The Beautiful Ropemaker), was a feminist French poet of the Renaissance born in Lyon, the daughter of wealthy ropemaker Pierre Charly and his second wife, Etiennette Roybet. One of Louise Labe’s interests was to represent the image of femininity that was fearless of the pains of love. Sonnet 3. Candy was very aware of Terry from that moment, and her feelings started to confuse her. Le sonnet est considéré comme la forme par excellence pour évoquer une situation amoureuse : il se compose de deux quatrains et de deux tercets. .”. Por su composición, la forma de expresión del soneto es limitada, lo que hace que la idea brote más intensa. . In her descriptions of the suffering which it is to lover another, Labe hones in on her personal struggle with desperation. El hecho de que ella lo llame «esa persona» es muy significativo para la historia, ¿Llamará al señor Albert, «esa persona» en alguna parte de la novela? Ainsi Amour inconstamment me mène Et, quand je pense avoir plus de douleur, Sans y penser je me trouve hors de peine. Labé was a member of the 16th-century Lyon school of humanist poets dominated by Maurice Scève. Un sonnet de Katleen à la manière de Louise Labé. . Los sonetos de Labé que Candy lleva en su bolsillo, son declaraciones de un amor apasionado. Her accentuated sensualism transformed her into a representation of poetic eroticism during the Renaissance. She is determined to do everything within her power to recover, so long as she is able. This sonnet tells the desperation of love of a lover. Dans la seconde strophe, elle se lamente sur son sort et se plaint de … She was a French poetess called “La Belle Cordière”. Louise Labé a composé 24 sonnets, parfois réunis avec ses plus fameuses élégies, parfois publiés seuls. Louise Labé (Lyon, circa 1524 – Parcieux-en-Dombes, 25 april 1566) was een Frans dichteres en salonnière.Ze behoorde tot de École de Lyon en werd indertijd ook wel La belle cordière (Frans voor de mooie touwslager) genoemd.. Labé werd rond 1524 geboren in de Zuid-Franse stad Lyon, toentertijd een bloeiend cultureel en literair centrum. Sonnet 6. Sonnet 2. Louise Labe was born in the early 1520s to a prosperous rope-maker, a member of the Lyon bourgeoisie. These papers were written primarily by students and provide critical analysis of Louise Labé: Poems by Louise Labé. — (New York Review Books poets) Selected text in French with English translation. Los dos sonetos se asocian a Terry nuevamente en la novela. . Her aim is to process and describe the agony which it is to be in love -- neither pure joy nor pure sorrow, but a caustic mixture of both. When Candy went out to her balcony to recite Sonnet III, she caught sight of Terry walking towards the forest. pages cm. Tout en un coup je ris et je larmoie, Et en plaisir maint grief tourment j’endure, Mon bien s’en va, et à jamais il dure, Tout en un coup je sèche et je verdoie. Ella sale al balcón para recitar el soneto III y sorprende a Terry caminando hacia el bosque. Ces 24 sonnets sont, comme on le pratiquait à la Renaissance, composés non pas d’alexandrins mais de décasyllabes. Tan afectada estoy en todas partes que ya una herida más sobre mi cuerpo no encontrará lugar para empeorarme. Au XVIe siècle, l’amour devient un thème prédominant en poésie, et l’œuvre de Louise Labéne fait pas exception à cette tendance. O cruelty, O harshness so inhuman,piteous gaze of those furthest stars.O first passion, gone from my heart,do you seek to increase my pain again? There is a description in Sonnet II of the parts of her lover’s body. But she (Nagita) not only mentioned the name of the poetess. En este soneto, Labé cuenta su amor ardiente por un hombre. En los últimos, se evidencia una resignación ante su sufrimiento por un amor que ella no puede olvidar, a pesar del dolor. Sous l’influence dePétrarque, poète italien, l’utilisation du sonnet, forme alors tout juste inventée, se répand dans les milieux littéraires. Louise Labé: Poems study guide contains a biography of Louise Labé, literature essays, quiz questions, major themes, characters, and a full summary and analysis. Sonnet 10. Sonnet 16. Louise Labé was a French poet of the 16th century, the daughter of a rope-maker, who also went by the name La Belle Cordière.There is some scholarship that posits she – and her poetry – was a creation of various French poets in her native Lyon. ¿Me quieres hacer una declaración de amor?». Sonnet 8 Analysis But when almost close to death I lie,wearied, turning to my bed, then Imust cry my pain, till the night is done. They come to us now in a lovely bilingual edition from the NYRB/Poets series, finally translated into … Le dernier point sont les personnages, qui sont present dans le sonnet. En los primeros sonetos, se describe la belleza del amante. The Louise Labé: Poems Community Note includes chapter-by-chapter summary and analysis, character list, theme list, historical context, author biography and quizzes written by community members like you. Los diferentes sonetos, relatan las ilusiones y el sufrimiento de la amante y su deseo por ser amada. .”. The Louise Labé: Poems Community Note includes chapter-by-chapter summary and analysis, character list, theme list, historical context, author biography and quizzes written by community members like you. Que Amor siga ensayando en mí su arco,que arroje nuevos dardos, fuegos nuevos, que se ensañe y que intente lo más bajo. This was interesting for me, because I know about Nagita´s love for the Italian culture. Esto me pareció interesante, porque sé del amor de Nagita por la cultura italiana. She recited a phrase from Sonnet IV. Claire Vénus, qui erres par les Cieux,Entends ma voix qui en plaints chantera,Tant que ta face au haut du Ciel luira,Son long travail et souci ennuyeux. Her mother died when she was a child; her father had her educated in languages and music, and a brother may have taught her to ride and fence. Louise Labé - the sonnets - A new freely downloadable translation. But she was exposed to great suffering and even loneliness. Dans la première strophe, elle exprime sa déception envers l’homme qu’elle a longuement attendu et désiré. In Sonnet 8, Labé expresses the human experience of emotions as the swinging of a pendulum. Labe's love life remains blurry but tumultuous. El otro soneto que se menciona es el siguiente: «Pero esto no es por lo que nos favorece, él que desprecia a los dioses y a los hombres… ¿Cómo es que continuaba? Lisez ce Archives du BAC Commentaire de texte et plus de 249 000 autres dissertation. Sonnet V reveals a feeling of abandonment because she was alone and broken in her bed, missing her soul. Labé was strongly influenced by the Italian philosopher and poet Petrarch (1304-1374). Sonnet 17. This sonnet tells the desperation of love of a lover. 1. How did it continue? Sonnet 9. En efecto, Louise Labé explica que ella no puede volver a enamorarse debido a su decepción. En los sonetos de Labé, el amor de los amantes continuará a través del tiempo, se pedirán besos, se reclamarán caricias y la amante estará expuesta a grandes sufrimientos e incluso a la soledad. Afterwards in the school yard, she was attacked by Neil. ¿Cómo es que continuaba? El soneto III y IV relatan los dolores que conduce el amor y no obstante, se menciona el deseo y el momento en que el amante cae también enamorado. My watchful eye will soften, again,and shed more tears as I gaze on you,more tears over my damp bed ensue,your gaze bearing witness to its pain. Sonnet 8 by Louise Labé. Louise Labé, French poet, the daughter of a rope maker (cordier). Candy se siente desconcertada porque no puede dejar de mirarlo, y recuerda su encuentro con él. «Pero esto no es por lo que nos favorece, él que desprecia a los dioses y a los hombres . *All guest comments and replies will be posted upon Admin approval. Louise Labe in her work, sonnet 23, creates a skeptical tone which serves to undermine the compliments given to her by a wooer at some point. De quelle façon Louise Labé, poétesse de la renaissance, rend-t-elle compte de la puissance de l’amour ? I. The different sonnets relate to the illusions and suffering of the narrator  and her desire to be loved. Perhaps, now she finally understood, after her long journey to reunite with “that person,” the words of that poet she had to memorize many years ago. Sonnet 21. Uno de los intereses de Louise Labé era representar la imagen de la feminidad sin miedo a los dolores del amor, y su acentuado sensualismo, la convirtió en una representante del erotismo poético durante el renacimiento. Sonnet 19. I would like to believe Nagita had done this deliberately. Ella hizo parte del grupo de poetas establecidos en Lyon, durante el renacimiento. Sonnet 10 repeats and extends the argument of Sonnet 9, with the added suggestion that the youth really loves no one. Sin embargo, también ve la pasión como una maldición que la envenena cruelmente, pero de la que ella no puede escapar. Sonnet 12. This Louise Labé really wrote complicated things . Louise Labé’s sonnets, published with other verse in Lyon in 1555, set her alongside Maurice Scève, as an heir to Petrarch’s form and content, and exemplify the secular humanist advance of the French Renaissance. In the Petrarchan form, she explains the positive and negative effects of love in a much more realistic way than many of her male counterparts. Anonymous "Louise Labé: Poems Study Guide: Analysis". Nagita es muy hábil en su forma de entregar información y tal como tu lo afirmas no es gratis que Candy tenga los sonetos de Labé en su bolsillo, los recite en presencia de Terry y tenga libros en francés en su biblioteca con los de Shakespeare. Ainsi on retrouve dans les sonnets de Louise Labé l'évocation des tourments de la passion, de l'amour meurtri. Labé, Louise, approximately 1526–1566. Weary human spirits now sink deepinto that sweet rest, granted them by sleep.I can endure my ills in the light of the Sun. Este soneto cuenta la desesperación amorosa de la amante. She was married in her mid-teens to another rope-maker, some 30 years older than she. Texte du poème Alice’s translations of the Louise Labé sonnets. My curiosity was piqued, so I wanted to research more about her. It is item #20 in a collection of excerpts from Women Writers of the Renaissance and Reformation (1987), edited by Katherina M. Wilson. The sonnet is a lament of a woman who loves. Ce travail est une analyse du Sonnet II de la poétesse Louise Labé. Cuanto más nos ataca Amor,Más son las fuerzas que nos hace réunirY siempre fresca en sus combates estar. A recent book has argued that the poetry ascribed to her was a feminist creation of a number of French male poets of the Renaissance. Quelque travail, dont assez me donna,Quelque menace et prochaine ruine,Quelque penser de mort qui tout termine,De rien mon cœur ardent ne s’étonna. En la novela, Candy recibe los sonetos de la hermana Kreis y los guarda en su bolsillo; luego estando en el patio del colegio, es atacada por Neil. Labé, Louise, approximately 1526–1566—Translations into English. Entonces los humanos son los espíritus cansadosDulce descanso y amoroso sueño.No puedo soportar mientras el sol brille; Y cuando estoy casi rota,Y ponerme en mi cama cansadaGritando Necesito mi dolor toda la noche. Me pregunto si este poema es una anticipación de la autora, sobre la dolorosa situación que vivirán Candy y Terry, cuando el amor entre ellos se vea bruscamente interrumpido; primero por la trampa de Elisa, y posteriormente por el accidente de Susana. . Après, nous allons analyser la forme de ce sonnet, les rimes et les figures de style. Her poems have erotic overtones and express in a passionate way amorous desire. Through her use of hyperbole, she describes the opposing effects that love can have on a person. Labé estuvo fuertemente influenciada por el poeta y filósofo italiano Petrarca (1304-1374). . Candy recuerda los eventos ocurridos con Neal en el patio, y ella no puede dejar de mirar a Terry. Je vis, je meurs: je me brûle et me noie, J’ai chaud extrême en endurant froidure; La vie m’est et trop molle et trop dure, J’ai grands ennuis entremélés de joie. Tant plus qu’Amour nous vient fort assaillir,Plus il nous fait nos forces recueillir,Et toujours frais en ses combats fait être; Mais ce n’est pas qu’en rien nous favorise,Cil qui des Dieux et des hommes méprise,Mais pour plus fort contre les forts paraître. Posteriormente Candy va a la falsa colina de Pony y se encuentra con Terry que está fumando. Rpt. Leí sobre Labé pero de manera muy general en su momento. Esta Louise Labé realmente escribía cosas complicadas…». “But this is not for what favors us, he who despises gods and men . Mi ojo vigilante se suavizará mucho mejor,Y más lágrimas al verte tirarán.Mejor mi suave cama de lágrimas se bañaráDe sus obras ver testigos de tus ojos. Louise Labé, issue d’un milieu bourgeois de Lyon, se fait connaître principalement par la publication en 1555 de ses recueils Débat de folie et d’amour et El… In the latter, there is evidence of resignation to her suffering for a love she could not forget despite the pain. It is through advertising that we are able to contribute to charity. La elección de Louise Labé en la novela debe ser importante para Nagita. Oh, perpetuo deseo y vana espera, tristes suspiros, lágrimas que suelen hacerme brotar ríos cuya fuente y manantial mis ojos los encierran. El campo lexical de Dios está presente. Her mother died when she was a child; her father had her educated in languages and music, and a brother may have taught her to ride and fence. When Candy was reciting sonnet III and saw Terry heading towards the forest from her balcony, she referred to him as “that person” “あ の ひ と”, (CCFS Vol I, page 294). She was raised during one of the most interesting centuries in literature’s history. Her wit, charm, accomplishments, and the freedom she enjoyed provoked unverifiable legends, such as those claiming she rode to war, was En sus sonetos destacan la admiración, el deseo físico y espiritual, sus poemas tienen tintes eróticos, y expresan de manera apasionada el deseo amoroso. She was born in Lyon, between 1520 and 1525. When her love life turns sour, she often begins to mention death, like in Sonnet XIV, but she does so to argue with herself about the validity and merit of life. . She continually writes about love lost in poems like Sonnets XXIII, XIV, and VIII. In short, Louise Labé rewrites the male Petrarchan tradition, giving it a blast of positive, debunking energy, a strong female voice and an intelligent physicality. If Labé’s elegies open and theorize a space within the Petrarchan poetic universe in which women’s losses are explored and the voice of women’s suffering is legitimated, her love sonnets expand the boundaries of this space by extending the dialogue of appropriation, resistance, and challenge already inaugurated between the female poetic speaker and her male lyric heritage. How did it continue? In CCFS, Candy said she had French literature in her home study. Louise Labé in Wikipedia. Mon œil veillant s’attendrira bien mieux,Et plus de pleurs te voyant jettera.Mieux mon lit mol de larmes baignera,De ses travaux voyant témoins tes yeux. She felt puzzled because she couldn’t stop looking at him and remembered her encounter with him. Ô cruautés, ô durtés inhumaines,Piteux regards des célestes lumières,Du cœur transi ô passions premièresEstimez-vous croître encore mes peines? She was married in her mid-teens to another rope-maker, some 30 years older than she. The words are very beautiful in their composition, despite the great melancholy of their meaning. The sonnets that the author selected to be mentioned are without doubt very beautiful, and express the love and desire that Candy would feel for Terry. Claire Venus, que deambula por los cielos, https://www.poetryintranslation.com/PITBR/French/LabeSonnets.php. will review the submission and either publish your submission or provide feedback. Hay una descripción en el soneto II de los miembros del cuerpo del amante. Was there any mention of French literature in the novel? GradeSaver, 14 July 2019 Web. Sonnet 7. It is my deepest conviction Terry is “ano hito” (that person). Las rimas y los movimientos de estrofas permiten juegos de oposiciones y de correspondencias que manifiestan las tensiones, la complejidad de la vida interior del poeta. Es curioso que Nagita eligiera estos dos sonetos para la novela, justamente cuando la relación de Candy y Terry está brotando. Sonnet 15. Sonnet 1. Let Love try his bow against me.Let him hurl every fire, every dart.scorn me more fiercely than he could endure. “Accompanied by that thought, she spent the whole night studying the sonnets. Sonnet 4. That would be a good question for the author. An editor Although she possesses the wherewithal to recognize her own position within a stereotype, she does not discount the emotions and experiences of love as childish or imaginary. Written by people who wish to remain anonymous. Copyright © 1999 - 2021 GradeSaver LLC. Ella recita una frase del soneto número IV. Since cruel Love first poisoned me,setting his primal fire in my breast,forever scorched by his divine fury,that not a single day brings me rest. God’s lexical field was present. Depuis qu’Amour cruel empoisonnaPremièrement de son feu ma poitrine,Toujours brûlai de sa fureur divine,Qui un seul jour mon cœur n’abandonna. In Labe’s sonnets, the narrator’s love continues through time; kisses would be asked for, caresses would be demanded. When she was at Saint Paul´s School, following Sister Kreis’s orders, Candy had to memorize three sonnets by Louise Labé: Sonnets III, IV, and V. Louise Labé was born in 1524 in Lyon, and died in 1566 in Parcieux-en-Dombes, France. However, Labé also saw passion as a curse that cruelly poisoned her and from which she could escape. Louise married an older man, Ennemond Perrin, also a ropemaker; hence, her famous nickname La Belle Cordière, the beautiful wife of a ropemaker. You can help us out by revising, improving and updating Meer informatie En el estudio de Candy, se menciona libros de literatura francesa, quiero pensar que los sonetos de Louise Labé están entre los libros favoritos de Candy y Terry. We are thankful for their contributions and encourage you to make your own. Louise Labé, as « le plus grand poète féministe de la Renaissance française, ... let us analyse sonnet XIX, a prime example of Labé’s reimagination of an established convention of love. Tuve curiosidad y quise investigar más sobre ella. This complexity of emotions is latent in CCFS and the emotions expressed by Candy and Terry mainly, in regards to their conflicts like a mind game. . Sonnet Xi Poem by Louise Labe.O gentle gaze, o eyes where beauty grows, Like little gardens full of amorous flowers, Where the bow of Love shoots his sharp arrows El soneto V por ejemplo, revela un sentimiento de abandono, porque la amante se encuentra sola en su cama quebrada faltándole su alma. Ô longs désirs, ô espérances vaines,Tristes soupirs et larmes coutumièresÀ engendrer de moi maintes rivières,Dont mes deux yeux sont sources et fontaines ! Cuando estaba en el Colegio San Pablo, Candy debía aprenderse de memoria, por orden de la hermana Kreis, tres sonetos de Louise Labé: el soneto III, IV y V. Louise Labé nació en 1524 en Lyon y murió en 1566 en Parcieux-en-Dombes, Francia. . Estos poemas pertenecen a un cuerpo más extenso de XXIV sonetos, que relatan una historia de amor y el deseo inmutable de una mujer por su amante. Whatever trouble, and enough, he brought,whatever impending ruin or distress,whatever thought of all-conquering death,with none of that is my heart distraught. Louise Labe. She was part of the group of poets formed in Lyon during the Renaissance. It is curious that Nagita chose these two sonnets for the novel, right when Candy and Terry’s relationship was budding. Why did she choose such passionate sonnets for them? Un punto más para saber cómo ella y su esposo, Terry, disfrutan de literatura apasionada. Sonnet 20. Sonnet V was not recited by Candy, but I wanted to share it: Bright Venus, wandering the sky,listen to my voice, singing clear,as your light illuminates me here,of its long labors, with anxious cry. El soneto V no es recitado por Candy pero deseaba compartirlo: Claire Venus, que deambula por los cielos,Escucha mi voz que con pena cantaráTanto es así que frente a la cima del cielo leerá,Su mucho trabajo y aburrida preocupación. Fue una poetisa francesa llamada « La Belle Cordière ». For I am so pierced, through every part,there’s not a single place to lodge, in me,another wound, and so hurt me more. in Alonso and Viennot, Louise Labé 2005, 133–50. “Re-reading the ‘folie’: Louise Labé’s Sonnet … These twenty four sonnets explore the way the imagination unlocks sensual pleasure; they enact, through form, an elusive reciprocity; they reclaim ringfenced areas of language and culture.

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